Roger
Van der Weyden, (Tournai, 1399c -
Bruxelles, 1464)
Deposition in
the tomb, 1449-1450, oil painting,
Florence, Uffizi gallery, cm 111 x 95. The
work was painted during the brief stay in Italy
in the Holy year 1450, The pilgrimage was an occasion for the
painter to get acquainted with Italian art whose
influence can be noticed also here (the sketch
derives from Beato Angelico in St.Mark's in
Florence). Christ who seems still crucified is
surrounded by Joseph of Arimathea
Nicodemus and Mary. Magdalene is
kneeling down and she is united to John by a fine
the tombstone onwhich the shroud laysupside down
draws. These characters
present us Jesus in a dramatic way; the crucified
becomes the main figure of the whole
representation because of his central position
and because of the light shed on his lifeless
body.
Once the stone, which locked
fhe tomb, was rolled away by the strenght
ofresurrection, it became a sign of victory on
death.
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