The painter was very attached to the theme of the Descent from the Cross and portrayed many different versions of it. However, this picture has a peculiar expressive intensity. The light that surrounds the figures and makes the background fade into the dark, introducing us into a holy space. The reverberations of coloured textures and naked bodies accentuate the sensation that the event we are witnessing goes beyond the human sphere. In this context, we can also notice the unusual presence of two angels, who are placing the body in the Sepulchre.

The scene is built on some diagonal lines that cross the picture: the first one starts from Magdalen’s back and ends on the wing of the angel on the right; the second line leads from Mary’s head, on the left, and goes down to Christ’s shoulder.

The unusual point of view that frames Christ’s body seems to accentuate His mass, which is about to go down into the Sepulchre. The objects that represent the Passion are gathered in a basket in the lower corner on the right, as part of an everyday dimension. The sheet that will wrap Christ’s body looks very soft in its drapes.

You were shrouded by those ancient men, our Lord, likewise, we wish we could wrap You in our love and in our praise, waiting for the day You will come again.