Honoré
Daumier,
(Marseille 1808 - Valmondois 1879) "Ecce
homo ", 1850 oil on board
Essen, Museum Folkwang, in 63 + 50
What a look! What a design! The painter
oriented his choice to an extraordinary modern solution: the
contrast with the light in the background lets us clearly
perceive Christ’s profile: we can see His beard, His
protruding nose, His crown of thorns. And nothing else is left
for us to contemplate.
Daumier was a painter involved in French republican riots of XIX century, he rarely painted religious subjects,
he preferred other genres. Considering this, his
ability in communicating the religious message is even more
surprising. And the recognition of this increases when we
think of this face of Christ in relation with the judgement
Pilate asked to the crowd: who should he set free: Jesus or
Barabbas? On Christ’s face lights and shades fight in a
titanic war between good and evil. In Him, we seem to see the
fulfilment of the prophecy written in Psalm 22, the one that
Jesus pronounced aloud when He was on the Cross: “My God, my
God, why hast thou forsaken me?… I am a worn and no man, a
reproach of men and despised of the people. All they that see
me laugh me to scorn: they shoot out the lip, they shake the
head…my heart is like wax; it is melt in the midst of my
bowels”.
Hide not thy face far from me; put not thy servant away in
anger: thou hast been my help; leave me not, neither forsake
me, o God of my salvation. (Psalm 27, 9)
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