Antonello
da Messina,(Messina, about 1430 - 1479) "Salvator
mundi", 1465, board. Londra, National Gallery,
in 15 + 12.4
The dark background of this painting, whose
subject is the head of Christ, draws the attention of the
viewer to the brightness coming from the left side. The
extreme simplicity of His robes gives place to a detailed
description of His face: His beard’s hair could be counted,
His long curly hair falls on His shoulders and we can even
distinguish two beauty marks on His cheek. If we look at His
hands we can notice some wrinkles between His fingers.
The most impressive thing is the intensity
of His look, especially because His face seems to be willing
to talk to us. The balaustrade the painter drew close to the
point of view of the observer creates deepness in the painting.
In this work we find both the sign and the date
of composition, and, besides, we can see with the naked eye
that the painter modified it in some areas. In fact, it
is easy to notice that the neck of Jesus’ robe was taller
and that His blessing hand used to reach the area near the
neck.
Make thy face shine upon thy servant: save me for thy
mercies sake. (Salmo 31 verse 16)
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