Dirck
Bouts (Haarlem, 1415 - Lovanio 1475)
The Deposition in the Sepulcher, 1475, tempera
on canvas. London, National Gallery, 35.5 in. wide, 29 in.
long.
In this composition the characters are the
typical ones we find in paintings about the Deposition. We can
easily recognize Mary, Nicodemus, Joseph of Arimathea, John,
Mary Magdalen and two pious women. They are gathered around
Christ’s dead body and they express a calm pain. The tones
are almost opaque, for the use of canvas seems to emphasize
the shadow of mourning in the scene. Gestures are moderate;
the scene is almost suspended in time and space.
The Sepulcher in which the body of Christ
is placed is not a cavern but a marble sarcophagus without any
decoration. The landscape is essential and, since there is no
direct source of light, the illumination is diffused. The
contrast between the eight characters in close-up, and the
empty landscape, which dissolves into infinity, just marked by
a few trees and some hills, seems to underline the dramatic
and solemn event of the death of God’s Child.
The body of Christ is now stiff and it is
placed on the sheet that later will be wrapped around Him. We
do not see the stone that will close the tomb and nothing
suggests the possibility of Resurrection.
How Great Your Love was, Lord, it brought You to give away
your life for us in such a cruel and bitter way.
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